Descargar Paul Beaver & Bernard L. Krause - The Nonesuch Guide To Electronic Music álbum

Álbum: The Nonesuch Guide To Electronic Music
Liberado: February 4, 1968
Formato: MP3, FLAC
Archivo: paul_beaver_bernard_l_krause_the_nonesuch_guide_to_electronic.zip
Tamaño: 117.9 mb
Bitrate: 324kbps
Descargue la versión completa del álbum musical The Nonesuch Guide To Electronic Music de Paul Beaver & Bernard L. Krause en formato FLAC. Los fans tuvieron la oportunidad de escuchar por primera vez sus 68 temas el February 4, 1968. Todos ellos están incluidos en el archivo: I. Peace Three; 1. Slow-Motion Audible Example; 2. Composition; 3. Harmonic Synthesis; 4. Non-Harmonic Synthesis; 1. Slow-Motion (Negative- And Positive-Going); 2. Composition; 1. Slow-Motion Audible Example (1/8-1/2); 2. Composition (Using 1/8, 1/7, 1/3, 1/2); 1. Slow-Motion Audible Example; 2. Composition; E. White Sound Composition; A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion; B. Sequential Voltage Sources. Composition; 1. 12-Tone; 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves); 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave); 4. Portamento; B. Ribbon Control; 1. Vibrato Ⓢ (Speed Increases As Pitch rises); 2. Sine-Higher Frequency; 3. Sawtooth-Swept; 4. Rectangular 1/2-Swept L2; 5. Triangular-Swept; 1. 3 Square Waves At Different Frequencies; 2. 3 Triangular Waves At Different Frequencies; 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies; E. White Sound; 1. Up An Octave, Back To Pitch; 2. Up A 3rd, Back To Pitch; 3. Down An Octave, Back To Pitch; 4. Down A 3rd, Back To Pitch; A. Keyboard; B. Ribbon Controller; 1. Tremolo; 2. Sine-Higher Frequencies (S Sweeping S); 3. Sawtooth (Negative- And Positive-Going Swept); 4. Rectangular-L2 Swept; 5. Triangular-Swept; 1. 4 Square; 2. 3 Triangular; 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ; E. White Sound; 1. Slow; 2. With Rising Pitch; 3. ∧∧∧∧∧; 1. Series Of Sub-Audible Constants; 2. Tune In Parallel; 3. Tuned In Opposite Direction; B. Sawtooth; C. Rectangular L2; A. White Sound - With Fixed Filters Selected 3rd Octave; 1. Broad; 2. Sharp; C. Low-Frequency Sawtooth-Tuning Through Harmonics; D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics; E. Swept With Ribbon Controller; 1. Sine-Timbre Vibrato Effect; 2. Sine-Variable Rate And Depth; 3. Sawtooth (Descending And Ascending); 4. Rectangular; 1. -----------------; 2. -----------------; 3. ------------------; 4. ------------------; A. Single Repeat; B. Multiple Repeat; IX. Peace Three (Recap). El estilo Modern Classical es el que predomina en el álbum The Nonesuch Guide To Electronic Music. Puede descargarlos todos en formato MP3 desde el sitio de iOZ-Music de forma gratuita. El archivo completo pesa 117.9 mb.
Pistas:
1. I. Peace Three
2. 1. Slow-Motion Audible Example
3. 2. Composition
4. 3. Harmonic Synthesis
5. 4. Non-Harmonic Synthesis
6. 1. Slow-Motion (Negative- And Positive-Going)
7. 2. Composition
8. 1. Slow-Motion Audible Example (1/8-1/2)
9. 2. Composition (Using 1/8, 1/7, 1/3, 1/2)
10. 1. Slow-Motion Audible Example
11. 2. Composition
12. E. White Sound Composition
13. A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion
14. B. Sequential Voltage Sources. Composition
15. 1. 12-Tone
16. 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)
17. 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)
18. 4. Portamento
19. B. Ribbon Control
20. 1. Vibrato Ⓢ (Speed Increases As Pitch rises)
21. 2. Sine-Higher Frequency
22. 3. Sawtooth-Swept
23. 4. Rectangular 1/2-Swept L2
24. 5. Triangular-Swept
25. 1. 3 Square Waves At Different Frequencies
26. 2. 3 Triangular Waves At Different Frequencies
27. 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies
28. E. White Sound
29. 1. Up An Octave, Back To Pitch
30. 2. Up A 3rd, Back To Pitch
31. 3. Down An Octave, Back To Pitch
32. 4. Down A 3rd, Back To Pitch
33. A. Keyboard
34. B. Ribbon Controller
35. 1. Tremolo
36. 2. Sine-Higher Frequencies (S Sweeping S)
37. 3. Sawtooth (Negative- And Positive-Going Swept)
38. 4. Rectangular-L2 Swept
39. 5. Triangular-Swept
40. 1. 4 Square
41. 2. 3 Triangular
42. 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ
43. E. White Sound
44. 1. Slow
45. 2. With Rising Pitch
46. 3. ∧∧∧∧∧
47. 1. Series Of Sub-Audible Constants
48. 2. Tune In Parallel
49. 3. Tuned In Opposite Direction
50. B. Sawtooth
51. C. Rectangular L2
52. A. White Sound - With Fixed Filters Selected 3rd Octave
53. 1. Broad
54. 2. Sharp
55. C. Low-Frequency Sawtooth-Tuning Through Harmonics
56. D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics
57. E. Swept With Ribbon Controller
58. 1. Sine-Timbre Vibrato Effect
59. 2. Sine-Variable Rate And Depth
60. 3. Sawtooth (Descending And Ascending)
61. 4. Rectangular
62. 1. -----------------
63. 2. -----------------
64. 3. ------------------
65. 4. ------------------
66. A. Single Repeat
67. B. Multiple Repeat
68. IX. Peace Three (Recap)
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