Paul Beaver & Bernard L. Krause - The Nonesuch Guide To Electronic Music Album herunterladen

Album: The Nonesuch Guide To Electronic Music
Freigegeben: February 4, 1968
Format: MP3, FLAC
Datei: paul_beaver_bernard_l_krause_the_nonesuch_guide_to_electronic.zip
Größe der Datei: 117.9 mb
Bitrate: 324kbps
Laden Sie die vollständige Version des Musikalbums The Nonesuch Guide To Electronic Music von Paul Beaver & Bernard L. Krause im FLAC-Format herunter. Die Fans hatten am February 4, 1968 erstmals die Möglichkeit, die 68 Tracks zu hören. Sie sind alle im Archiv enthalten: I. Peace Three; 1. Slow-Motion Audible Example; 2. Composition; 3. Harmonic Synthesis; 4. Non-Harmonic Synthesis; 1. Slow-Motion (Negative- And Positive-Going); 2. Composition; 1. Slow-Motion Audible Example (1/8-1/2); 2. Composition (Using 1/8, 1/7, 1/3, 1/2); 1. Slow-Motion Audible Example; 2. Composition; E. White Sound Composition; A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion; B. Sequential Voltage Sources. Composition; 1. 12-Tone; 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves); 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave); 4. Portamento; B. Ribbon Control; 1. Vibrato Ⓢ (Speed Increases As Pitch rises); 2. Sine-Higher Frequency; 3. Sawtooth-Swept; 4. Rectangular 1/2-Swept L2; 5. Triangular-Swept; 1. 3 Square Waves At Different Frequencies; 2. 3 Triangular Waves At Different Frequencies; 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies; E. White Sound; 1. Up An Octave, Back To Pitch; 2. Up A 3rd, Back To Pitch; 3. Down An Octave, Back To Pitch; 4. Down A 3rd, Back To Pitch; A. Keyboard; B. Ribbon Controller; 1. Tremolo; 2. Sine-Higher Frequencies (S Sweeping S); 3. Sawtooth (Negative- And Positive-Going Swept); 4. Rectangular-L2 Swept; 5. Triangular-Swept; 1. 4 Square; 2. 3 Triangular; 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ; E. White Sound; 1. Slow; 2. With Rising Pitch; 3. ∧∧∧∧∧; 1. Series Of Sub-Audible Constants; 2. Tune In Parallel; 3. Tuned In Opposite Direction; B. Sawtooth; C. Rectangular L2; A. White Sound - With Fixed Filters Selected 3rd Octave; 1. Broad; 2. Sharp; C. Low-Frequency Sawtooth-Tuning Through Harmonics; D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics; E. Swept With Ribbon Controller; 1. Sine-Timbre Vibrato Effect; 2. Sine-Variable Rate And Depth; 3. Sawtooth (Descending And Ascending); 4. Rectangular; 1. -----------------; 2. -----------------; 3. ------------------; 4. ------------------; A. Single Repeat; B. Multiple Repeat; IX. Peace Three (Recap). Der Modern Classical-Stil ist der vorherrschende auf dem Album The Nonesuch Guide To Electronic Music. Sie können sie alle im MP3-Format kostenlos von der iOZ-Music-Website herunterladen. Das gesamte Archiv wiegt 117.9 MB.
Tracks:
1. I. Peace Three
2. 1. Slow-Motion Audible Example
3. 2. Composition
4. 3. Harmonic Synthesis
5. 4. Non-Harmonic Synthesis
6. 1. Slow-Motion (Negative- And Positive-Going)
7. 2. Composition
8. 1. Slow-Motion Audible Example (1/8-1/2)
9. 2. Composition (Using 1/8, 1/7, 1/3, 1/2)
10. 1. Slow-Motion Audible Example
11. 2. Composition
12. E. White Sound Composition
13. A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion
14. B. Sequential Voltage Sources. Composition
15. 1. 12-Tone
16. 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)
17. 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)
18. 4. Portamento
19. B. Ribbon Control
20. 1. Vibrato Ⓢ (Speed Increases As Pitch rises)
21. 2. Sine-Higher Frequency
22. 3. Sawtooth-Swept
23. 4. Rectangular 1/2-Swept L2
24. 5. Triangular-Swept
25. 1. 3 Square Waves At Different Frequencies
26. 2. 3 Triangular Waves At Different Frequencies
27. 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies
28. E. White Sound
29. 1. Up An Octave, Back To Pitch
30. 2. Up A 3rd, Back To Pitch
31. 3. Down An Octave, Back To Pitch
32. 4. Down A 3rd, Back To Pitch
33. A. Keyboard
34. B. Ribbon Controller
35. 1. Tremolo
36. 2. Sine-Higher Frequencies (S Sweeping S)
37. 3. Sawtooth (Negative- And Positive-Going Swept)
38. 4. Rectangular-L2 Swept
39. 5. Triangular-Swept
40. 1. 4 Square
41. 2. 3 Triangular
42. 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ
43. E. White Sound
44. 1. Slow
45. 2. With Rising Pitch
46. 3. ∧∧∧∧∧
47. 1. Series Of Sub-Audible Constants
48. 2. Tune In Parallel
49. 3. Tuned In Opposite Direction
50. B. Sawtooth
51. C. Rectangular L2
52. A. White Sound - With Fixed Filters Selected 3rd Octave
53. 1. Broad
54. 2. Sharp
55. C. Low-Frequency Sawtooth-Tuning Through Harmonics
56. D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics
57. E. Swept With Ribbon Controller
58. 1. Sine-Timbre Vibrato Effect
59. 2. Sine-Variable Rate And Depth
60. 3. Sawtooth (Descending And Ascending)
61. 4. Rectangular
62. 1. -----------------
63. 2. -----------------
64. 3. ------------------
65. 4. ------------------
66. A. Single Repeat
67. B. Multiple Repeat
68. IX. Peace Three (Recap)
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